Over the span of my studies at Goldsmiths I have developed a painting practice reminiscent of the apprentice. While incorporating this technique to a more self sufficient one, I learn from old masters by studying their color pallets, symbolic treatments and material preferences. Weeding the canonical art history with the present under guidance of div. tutors, artists and mentors I am able to create a conceptual line of work under influence of contemporary movements.

June 2024
keila.jimenez.loza@gmail.com
@keila.jim



PORTFOLIO

Assortment




Fragment
Oil on canvas, 900x1350 mm, 2023
Clouds
Oil on canvas, 900x1350 mm, 2023
Brothers
Oil pastel on canvas, 900x1350 mm, 2024
Colour study
Oil on canvas, 900x1350 mm, 2023

Gesundheit

Cracks
Ceramics and Grout on Plywood,
870x1320 mm, 2024
Colour and composition study on Hans Memlings ‘Portrait of a Man from the Lespinette Family’ c. 1485 - 1490

Arrangement

Bisabuela (Great Grandma)
Oil, gesso and pencil on canvas, 2024
1350x1800 mm
Op.16
Oil, rosin and peg soap on canvas, 2024
Painted with a brush made from cello bow hair, attached on the back.
1350x1800 mm
This work was painted while listening to the “Operetta 16, Suite for Cello and Orchestra”. I played the cello for 7 years untill 2018, I returned to my love for the instrument trough this painting, remembering the impact and strength of a cellos expression.